MICHAEL MANRING

Hailed by many as the world’s leading solo bassist, Michael Manring has been pushing back the boundaries of what’s possible on the bass guitar for over three decades. While his technical skill and innovations always make an impression, it is his ability to communicate on a profound emotional level that most touches listeners. As editor Tom Darter wrote in Keyboard magazine after seeing one of Michael’s solo concerts, “Forget his astounding technique and musicality; forget his absolute command of his instruments; forget how seamlessly the musical ideas and the performance of them were wedded together…The enlightenment came most from feeling (seeing, hearing) the joy Michael felt to be playing…his brand of transcendental chops and musical understanding…was all in the service of the final outcome, the joy of making music.”

Building on the conceptions of his teacher, the late bass legend Jaco Pastorius, Michael has developed a new approach to the instrument that includes unorthodox tunings, techniques, and methodologies. He has honed his skills on hundreds of recordings as a session musician and thousands of concerts throughout the world in venues including Carnegie Hall in NY, Yamaha Hall in Tokyo and Davies Symphony Hall in San Francisco. Michael has worked with a surprisingly diverse collection of musicians from New Age keyboardist Suzanne Ciani to avant-improv guitar innovator Henry Kaiser to celebrated folk troubadour John Gorka to experimental post-metal rockers Tim Alexander (Primus) and Alex Skolnick (Testament) to electro-pop pioneer Thomas Dolby. His long-term collaboration and close friendship with the late acoustic guitar genius Michael Hedges led to a lengthy stint as house bassist for Windham Hill Records; a label for whom he also worked as a solo artist, releasing four recordings under his own name: Unusual Weather (1986), Toward the Center of the Night (1989), Drastic Measures (1991) and Thonk (1994). These, along with his 1998 release The Book of Flame on the Alchemy record label earned him an international reputation as “a master of the fretless bass without rival.” (Guitar Club Magazine, Italy). He has garnered two gold records, Grammy and Bammie nominations, a Berklee School of Music Distinguished Alumni Award, two Just Plain Folks Awards and numerous Bass Player Magazine Reader’s Poll awards including 1994 Bassist of the Year. He was also the subject of a PBS TV documentary, “The Artist’s Profile: Michael Manring” and a Youtube video of him playing his iconic solo piece “Selene” has well over a million views.

 

In his solo concerts, Michael weaves together his musical influences into a tapestry rich with expression, virtuosity, humor and meaning. As one writer put it, “Michael Manring can do more with a bass than even the most creative individual could imagine” (L. Pierce Carson, Napa Valley Register). His newest release Soliloquy, performed entirely solo without overdubs, is the best-recorded example yet of that depth and diversity. Using a variety of bass guitars and the far-reaching, innovative approaches he is renowned for, with Enhanced CD content including Michael’s extensive 24-page liner notes detailing the composing and recording process, photos and live performance videos, Soliloquy takes the listener on a unique musical journey. We hope you’ll follow the advice of France’s Musicien magazine: “Do not miss your next opportunity to discover the bassist with the most fresh and inventive playing today.”

http://www.manthing.com/

JOSH COHEN

 

Josh Cohen is a multi-award winning six-string electric bassist, composer, session musician, and music educator based out of Madison, WI who travels frequently throughout North America performing and teaching clinics (e.g. Bass Boot Camp 2016/2019, Gruv Gear’s Clinic Series at Steve’s Music Toronto, Bass Break Live 2017 etc).

His solo electric bass compositions/arrangements, which use extended techniques to create the sound of an entire band have garnered a lot of attention, including his arrangement of Herbie Hancock’s “Chameleon” being ranked the #1 bass video of 2015 by No Treble magazine. Following his debut 2014 solo album Out of the Bassment, he is now recording his second, Freedom which emphasizes polyphonic improvisation. He is also preparing for the 2019 Waupaca Bach Festival where he will debut a one-hour performance of music by Bach that he has arranged for solo six-string electric bass.

 

Josh’s Website

KAI KUROZAWA

Kai Kurosawa picked up the electric bass at the age of fifteen. Today his primary axe is Kūbo (aka the Aircraft Carrier); a custom 15-string instrument which he co-developed with renowned luthiers Michael & Daniel Tobias (MTD). Kai self-taught and also self-created fresh new cutting edge musical techniques for this unique instrument.

Widely considered as truly one of a kind player, he is frequently invited to teach seminars and clinics in the United States, Europe, and Asia. He is consistently busy working with various bands and creative projects; genres include jazz, progressive metal, rock, pop, and electronic music.

To name a few collaborators, he has worked with musical masters such as Hiromi, Thomas Lang, Gary Novak, Vinny Golia, ISAO (baby metal), Shane Gibson(korn), Collide, Charmaine Clamore, Ponta Shuichi, and Andrea Centazzo. Kai currently resides in Los Angeles.

happysad.org

https://www.youtube.com/user/kaikurosawa
https://www.instagram.com/kaikurosawa/
https://www.facebook.com/kaikurosawamusic/

Ariane Cap Floydfest

JOHNNY GILMORE

When he first picked up the electric bass, Johnnie Gilmore knew he had found his calling. Music had always been a passion for him, starting with after-school piano lessons in second grade, but at that point — a few months shy of his fifteenth birthday — it became his life’s work. During his college years at Wesleyan University, he developed a unique voice as a solo artist and songwriter in his own right, building his repertoire over thousands of hours as a street performer in his hometown of Boston.

After graduating from Wesleyan, where he won the Gwen Livingston Pekora prize for excellence in music composition as a senior, Johnnie moved to Los Angeles, releasing his debut solo album, Salt of the Earth, in November 2018. 

https://www.johnniegilmore.com

 

https://https://www.johnniegilmore.com/

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ARIANE CAP

Austrian Ariane Cap is a multi instrumentalist, educator, author, blogger and composer. An eclectic and versatile bassist, she has covered many styles, from Rock (Keith Olsen/Fleetwood Mac), Jazz (Daline Jones, Montclair Women’s Big Band) to Folk and Flamenco (Muriel Anderson), to classical music (The Mozart Band), and Top 40 (Brian Cline Band), Latin Disco (Generation Esmeralda) to Punk Rock (The Sippy Cups) and Cirque du Soleil. As a leader, Ariane has teamed up with star Jazz bassoonist Paul Hanson to create the critically acclaimed duo ‘OoN’. 

Her book Music Theory for the Bass Player was published in September 2015 and hit #1 bestseller status in its category within weeks. It is a groundbreaking book that teaches music theory in shapes via fretboard diagrams rather than through teaching standard notation at the same time, which, as the author says, is a vital (but different) skill, that is easier to learn once music theory is mastered.

Ariane started a popular blog in October 2015 at arisbassblog.com featuring free teaching videos about concepts in her book.

Ariane is also an educator for the powerhouse TrueFire as well as for scottsbasslessons.com. She has a regular column called Talking Technique on the webmagazine notreble.com

Ariane has been featured for her creative playing techniques and solid bandmanship in Bass Player Magazine, Bassquarterly, Der Bass Professor, Bass Musician Magazine and many other publications.

She was inspired to explore solo bass when listening to Michael Maning, Jeff Schmidt and attending a clinic with Steve Lawson.

www.arisbassblog.com

www.arianecap.com  

www.oonband.com

CHARLES BERTHOUD

British bassist, Charles Berthoud (pronounced BEAR-too), is changing the way we think about the bass guitar. Already being recognized as one of the masters of the two-handed tapping technique, he plays the bass like a piano, accompanying himself with multiple parts. He even co-authored an instructional book, Two-Handed Tapping, before graduating Berklee College of Music with highest honors.

Now, he has two extraordinary solo albums under his belt, reminding listeners that there are still new frontiers to be explored in popular music. If Charles Berthoud is the one to chart this new territory, then music lovers are in good hands.

Charles’ Website